Migration Elegy
Amelia Yuan
Grandma tells me she’ll cut
my hair in her yellowed bathroom
her hands two dreamcatchers
laced with bird bones
soft and silent in the wake of spring.
I am near-blinded
by cement and red dye, an oriental love
seeping under her fingernails. She crowns me
queen of leaving, princess
of our motherland, the singular bulb
fluorescent above us, flickering enough
to remind me I was baptized
in the blood of another land. As her fingers
peck, my tongue returns, years
sweeping back through the mail slot
with split ends and a foreign lilt
I once tried to bleach with lessons. Outside
a wet market strings roosters from the neck, readies
the sidewalk for songs of blood and half-kilogram
tubs of eels mothers cleave
along the backbone, carcasses
gushing unloved life.
I breathe in
each time we pass, soak silk in ink
and come closest to living inside a metaphor
for flight, while Grandma braids my bangs
into migrating monarch butterflies. Perched
on the cusp of my ears until her thumb digs
into my scalp, rice paper windows
letting in unwashed light. It will be silent
inside the kitchen when I give up
on writing my way back to her rusted door.
Right now, all I have is two birds
flying, and a third remembers
it’s just a figment of ink and silk as it falls.
Amelia Yuan is a high school senior from the Bay Area. She is an alumna of the Sewanee Young Writers’ Conference, the Iowa Young Writers’ Studio, and The Adroit Journal’s Summer Mentorship Program. Her work has been recognized by the National Scholastic Art & Writing Awards and The New York Times and has appeared in The Shore and The Inflectionist Review, amongst others.